From Night to Dawn: The Power of Compassion

When I first heard about a book called "Catching Dawn" written by Melissa Armstrong, I was intrigued. I thought the book was just about one woman's mission to catch and help a free roaming dog named Night who belonged to no one and who had delivered puppies in a poor neighborhood in Springfield, Tennessee, a mission that lasted months. I quickly learned the book was about much more than rescuing a dog and her multiple litters of puppies. It is about saving ourselves and the people with whom we share our lives - families, friends and even foes.

It may be hard for some people to believe that dogs like Dawn still roam our streets in this day and age. It happens across the country for a variety of reasons, one of which relates to culture with those cultural differences regarding dogs being more prevalent in some areas than in others. I live in Alabama, a place where the differences are obvious. Some dogs live inside and are members of the family. Some dogs live outside and would longer be allowed inside to live than the family would set a place at the dinner table for a pig. The mindset is that dogs are animals and just like other animals - cows, horses, goats, and pigs - they belong outside. Some people who have "outside dogs" keep them confined to their own property. Many do not and think nothing of it at all or how it affects other people. It is just how dogs live. Dogs roam the streets mostly in rural areas and I see them daily where I live. We always check the area around our house before taking our dog outside so we can avoid problems with free roaming dogs. And I cannot count the number of times I have called regional offices for the state Department of Transportation to remove the body of some poor dog who died after having been struck by a vehicle.

(image of Night, who became Dawn)

The story of Melissa's moral imperative to trap and help Dawn is captivating as that story is woven into the story of Melissa's own life and struggles and what motivated her to feel so strongly about helping this one dog. Now that I know what caused Dawn to be so fearful of people and need help, I understand Melissa better and understand how a more recent situation which happened after the book was published must have affected her so deeply (see below). I was pleased to see some common themes in the book which I have seen before and which help to reinforce some of my views on people and animals.

What motivates advocates. Like so many of us, Melissa came to advocacy through tragedy. In her case, it was the death of a childhood cat named Coco at the hands of her father. Melissa wrote, "in retrospect, my need to protect the defenseless started with finding Coco's collar. . .if I had acted, if I had hidden Coco in my closet or taken him to a neighbor's shed, If I hadn't egged him on or left the ribbons scatted cross the floor, maybe he would have lived. In a way, every time I save an animal, I'm giving back to that little girl inside of me who will always blame herself for her fathers' mistakes.

Why advocates feel compelled to help. Not every one who sees a problem in society, particularly related to animals, has the desire or the motivation to do anything about it. For some people, the issue is either just to big for them or is not their responsibility. As is the case with many animal advocates, there is no choice in the matter. They have to do something, anything about what they see, in order to live with themselves. Such was and is the case with Melissa and her husband, Mason, having told themselves, "if we don't do something, who will?"

Animals in need remind us of ourselves or those we love.  When writing about the fact that Dawn was a stray, Melissa wrote this: "In the dictionary, the word stray means 'not in the right place or not having a home.' When I was a child and then a teenager, I felt like I lived in the wrong place, like I was a stray. From my first memories, I recognized that I was fundamentally different from my family, physically and mentally."

Maybe people should know about issues with animals, but they just don't. I see this time and time again. People in animal welfare circles presume the public knows about animals in need locally or nationally or presume people know that is happened in local shelters and do not care enough. The reality is that most people don't know about the problem with pets in need (and how shelters function) until we tell them.  They do care. We just have to bridge that gap between caring and action with knowledge.

People are inherently good and want to help.  On this Melissa wrote: "I'd meet more and more people who were just like Bernice and Troy. They rarely had enough money for medical bills or groceries, but they always found a way to share a plate of food with a neighborhood stray. Their kindness changed my first impression of Sycamore Street. It might have looked dirty and mean, but a profound generosity underscored this neighborhood."

As is the case with other books I've written about, I have not told you much about the story here and that is with intent. My hope is that you will read the book for yourself and learn not only about the story of Catching Dawn, but think about what is happening in your own community and region and what you can do about it. Melissa was gracious enough to take time out of her busy schedule to answer some questions for me which will help you learn more about her and the book.

You had Dawn as part of your family for four years before she passed away. What was the inspiration that led you to publish a book about your life and experiences trying to catch and save her?

It's always been a dream of mine to write a book. I've been writing since I was a child. For me, reading and writing were ways to escape my dysfunctional family. I've also always been an activist. I often joke activism is programmed into my DNA. So, fusing my activism with my writing seemed like a natural progression.

Catching Dawn is actually the third book I wrote, but the only one I tried to publish. And believe me, I received plenty of rejection letters - from both agents and publishers - but I never stopped trying to get Catching Dawn published. I believed in Dawn's story. I wanted people to understand the consequences of the animal overpopulation crisis in the rural South. I wanted them to know what happens to our homeless animals. If I didn't say something, then who would? Certainly not Dawn. And her story was important. She deserved a voice.

I appreciated the fact that your book is your story woven into the story about Dawn.  Have you ever felt like you are the human embodiment of Dawn - just needing someone to take a chance on you and help you find yourself?

Absolutely. A big theme in Catching Dawn is that animals are sentient beings. I know our laws still define animals as property but I can't think of anything further from the truth. Their behavior - both good and bad - is often a result of how they were treated. Just like us.

I feel as strongly about animals as I do about humans. For a long time, I apologized for feeling like that. I know many may judge me for it but I stopped apologizing after I wrote this book. After I uncovered the parallels between my story and Dawn's story. Dawn was terrified of humans because she had been abused. For way too many years, I was afraid of relationships because I had been abused and abandoned. That correlation can't be ignored.

I was struck by what you wrote about the people from the neighborhood where Dawn lived. What did your experiences with them teach you about how we judge people based on where they live and what  we see?

When I first arrived on Sycamore Street, an impoverished community in rural Tennessee, I was full of judgment. And shame on me for that. I can't say that enough. Shame on me! Because time and time again I was surprised by the generosity and compassion of people who barely had enough money for their own food or medical bills. I discovered it's not that they didn't want to help the stray animals in their neighborhood, but they didn't have the resources or the knowledge to do it. In a way, I think because they had experienced such hardship, they recognized it in the animals. Their empathy for these homeless dogs was such a beautiful thing to see.

(Dawn and Mason)

Have you seen or spoken with Bernice since you chose to make Dawn part of your family?

Bernice and I texted a few times after we adopted Dawn. I brought Adriana (one of Dawn's pups) to visit her several times. But, we haven't kept in touch over the years. I know she was happy when she found out that we adopted Dawn.

In addition to your book, you are the creative mind behind the documentary film called "Amber's Halfway Home" which introduces people to rescuer Amber Reynolds and the work she is doing in Tennessee. How did you connect with her and become inspired to create a documentary?

I used to brag about rescuing and fostering 30 dogs in two years, until I met Amber Reynolds. Amber's stats blow mine away. In one year, Amber saved 2000 dogs. Think about that. That's more than five dogs a day. Even now, it's astounding to me.  

I connected with Amber through another author and animal advocate Cara Sue Achterberg, who also wanted to produce a documentary about the overpopulation problem in the rural South. Cara told me about Amber, but, before I committed to producing a documentary, before I spent hours and hours on this project, I needed to make sure Amber was the real deal. On my very first visit to Amber's Halfway Home, I jumped in her van, and by the end of that day, we had rescued 19 dogs. I just couldn't believe what one person was accomplishing. What Amber does on a daily basis is downright heroic. Without her, literally thousands and thousands of dogs would die.  

(the film is available to watch for free on Youtube)

When we last spoke, you were working on a series. What can you tell us about that?

Unfortunately, our funding fell through for the series, so for the moment it's on hold. But, one thing that struck me when we were following Amber was the network of people who helped her. There are a handful of women who move dogs from Southern kill shelters to Northern rescues on transports. These women have moved over 4000 dogs out of Tennessee since they started. It's quite an amazing story, and one day I hope I have the opportunity to tell it.

We had also spoken about a so-called animal shelter in Tennessee where dogs were being neglected and abused and were being shot. What can you share about what is happening there now?

A few months ago, I visited a government-funded shelter and the conditions were appalling. Dogs who had been living there for months were emaciated. Their eyes were sunken in their heads from dehydration. They had open wounds on their paws, tails, and ears. They had urine burns from sitting in their own waste. They were never ever taken out of their cold, wet concrete cages. Even when the staff cleaned, they simply sprayed out the kennels while the dogs were still inside.

I was so shaken about what I witnessed that I went to the police and accused the director of animal cruelty. That's when I found out that although the director is certified to humanely euthanize, he shoots the dogs instead. It's just unbelievable to me that this practice still happens. The cruelty of it makes my stomach turn. The problem is that I'm not a constituent or taxpayer in that county, so my voice is nothing but chatter to them.

Recently, I was reading Nathan Winograd's  book Redemption: The Myth of Pet Overpopulation and the No Kill Revolution in America. At one point Winograd describes a shelter in New York City from 1871 that sounds a heck of a lot like the one I visited a few months ago. The startling truth is that many of these rural shelters are still 150 years back in time.

As far as I know, the director still has his job and things haven't changed much. But, I recently found out the local community is starting to get involved and voice their outrage. I'm hoping this will start the ball rolling for change. I pulled one emaciated, mangy dog out of that shelter and we are currently fostering her, but the ones we left behind still haunt me.

(images courtesy of Melissa and Mason Armstrong; you can learn more about The Farnival & Farnival Films here)